Major Old Master Exhibitions in 2026/2027

Key Previews for Collectors
September 21, 2026
Black and white photo of an elderly couple admiring art in a museum.

Museum curators spend years – often decades – tracking down paintings, fragile panels, untangling complex provenance histories and negotiating high-stakes loans across borders. For the public, the result is a breathtaking cultural event. For a private collector, however, these exhibitions function as a masterclass in connoisseurship.  Here are five landmark European institutional exhibitions that deserve your immediate attention.

 

FRANCISCO DE ZURBARÁN (NATIONAL GALLERY, LONDON, MUSÉE DU LOUVRE, PARIS & ART INSTITUTE OF CHICAGO | 2026–2027)

Organised as a major international collaboration, this monographic retrospective opened at the National Gallery in London before travelling to the Musée du Louvre in Paris for a winter run. Francisco de Zurbarán was one of the defining figures of Spanish Golden Age painting. He built his reputation on devotional scenes, monumental drapery and an intense, sculptural use of chiaroscuro that gave his monastic figures a physical, tactile reality. For collectors of Spanish and Italian Baroque art, this exhibition offers an opportunity for close visual analysis. Zurbarán managed an active workshop in Seville to meet substantial demand from religious institutions, private patrons and the Spanish Crown.

 

TINTORETTO: TIMELESS TINTORETTO (MUSÉE JACQUEMART-ANDRÉ, PARIS | 11 SEPTEMBER 2026 –  24 JANUARY 2027)

Focusing on the theatrical energy of the Venetian High Renaissance, the Musée Jacquemart-André in Paris presents a major monographic survey dedicated to Jacopo Robusti, universally known as Tintoretto. The exhibition traces his dramatic narrative style, radical foreshortening and expressive, rapid brushwork that redefined 16th-century Venetian painting. Tintoretto was renowned for working at an astonishing pace, employing dramatic, directional light and dynamic compositions. Because Tintoretto ran a large Venetian workshop, his oeuvre presents complex attribution challenges on the private market. This retrospective brings together approximately forty paintings and graphic compositions in total, allowing collectors to discover and appreciate the scope of Tintoretto’s work.

 

Jacopo da Pontormo (Scuderie del Quirinale, Rome | 9 October 2026 – 7 February 2027)

Curated by Cristina Acidini, one of the leading experts on sixteenth-century Florentine art, with the support of distinguished scholars including Elena Capretti, Philippe Costamagna, Bruce Edelstein and Carlo Falciani, this major monographic exhibition is dedicated to Jacopo da Pontormo and traces his creative trajectory. Supported by major international loans from across Italy, Europe and the United States, the show offers an opportunity to explore Pontormo’s artistic evolution and his position at the transition from the High Renaissance to Mannerism. Pontormo transformed the conventions of High Renaissance painting, moving away from classical balance towards elongated figures, unconventional colours  and heightened emotional expression. For collectors, understanding Pontormo’s distinctive artistic language is particularly valuable when assessing Mannerist drawings, preparatory studies and workshop paintings associated with his circle.

 

VAN Eyck: The Portraits (The National Gallery, London | 21 November 2026 – 11 April 2027)

In November 2026, the National Gallery presents an extraordinary curatorial feat, reuniting all nine known painted portraits by Jan van Eyck. A leading figure of fifteenth-century Flemish painting, Van Eyck was renowned for his innovative use of oil paint and the extraordinary precision of his technique. His surviving works are exceptionally rare, and the reunion of these portraits represents a landmark event in the study of Northern Renaissance art. This focused exhibition explores Northern Renaissance portraiture, highlighting Van Eyck’s meticulous rendering of texture, reflected light and human character. His ability to capture aged skin, heavy fur, polished metal and convex glass mirrors demonstrates an extraordinary level of realism in early European art. Bringing these rare panels together gives art historians, collectors and enthusiasts a unique opportunity to examine Van Eyck’s approach to portraiture and the technical achievements of early Netherlandish painting.

 

BERNINI: PAINTING AND MARBLE (LOBKOWITZ PALACE, VIENNA | 2 DECEMBER 2026 – 4 APRIL 2027)

While Gian Lorenzo Bernini is universally celebrated as a defining figure of Roman Baroque sculpture, his work as a painter remains less widely known. The Kunsthistorisches Museum in Vienna addresses this gap with a major exhibition that explores Bernini's work as a painter in dialogue with his achievements in sculpture and drawing. The exhibition investigates Bernini's approach to portraiture, highlighting his expressive handling of character and his ability to convey psychological presence across different mediums. A newly attributed Portrait of an Old Man forms the centrepiece of the show, offering fresh perspectives on an artist whose surviving paintings remain exceptionally rare.

 

Why Institutional Shows Matter for the Private Market

High-profile museum retrospectives are far more than academic celebrations – they provide:

  •  Attribution clarity: Side-by-side comparisons of secure, museum-grade works allow scholars, dealers and collectors to better understand artistic authorship, workshop collaboration and the challenges of attribution.
  • Renewed scholarly and collector interest: Major museum exhibitions can renew scholarly and collector interest in specific schools or overlooked artists,  potentially bringing greater attention to works in private collections.
  • Condition comparisons: Viewing masterpieces provides valuable points of comparison for understanding overpainting, structural repairs, panel thinning and historic paint loss in works on the private market. Assessing an individual artwork's condition, however, requires specialist examination.

 

About  Maison d'Art

Established in 1997, Maison d'Art is an international gallery specializing in fine European paintings from the 13th through the 18th centuries. Based in Monaco, the gallery works directly with private collectors and major international museums to source and place exceptional artworks.

Website: www.maisondartgallery.com

Location : 27 Avenue de la Costa, MC-98000 Monaco

Enquiries: Contact our specialist team to arrange a private consultation or discuss building your collection.

 

 

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