
Francesco Fidanza Italy, 1747-1819
Provenance
John Rushout, 2nd Lord Northwick [1770-1859], Thirlestane House, Cheltenham; his posthumous estate sale, Phillips, Thirlestane House, 2 August 1859, lot 482 (as Joseph Vernet); John Samuel Wanley Sawbridge-Erle-Drax, MP (1800-1887); his nephew Wanley Ellis Sawbridge Erle-Drax (c. 1860 - 1928), Olantigh Towers, Wye (Kent); sale, Christie’s, London, 19 February 1910, lot 109 (as Vernet); M. Ghislain Prouvost, Château du Vert Bois, Pas-de-Calais, to 2005.
Literature
M. Vinci - Corsini in La Pittura Eloquente, exh. cat., Maison d’Art, Monte-Carlo 2010, n. 26, pp. 135 - 138, illus. p. 137.
Our painting has parallels in composition and style with the Harbour with Lighthouse in the Museum of Fine Arts, Budapest (inv. 963, initialled), a picture steeped in a similar atmosphere of tranquillity and exuding a suspended, almost spiritual state of being. The Romantic culture that underlies both these works would suggest a dating during the last two decades of the eighteenth century.
Our canvas was then among a number of works purchased at the Northwick sale – including Claude Lorrain’s Roman Campagna of c. 1639, now in the Metropolitan Museum of Art, New York – by a second very active collector, J. S. W. Sawbridge-Erle-Drax, a British Member of Parliament.